In my pursuit to find a yet another manga to read during my long hours at work, I decided to try reading Ayashi no Ceres, where the anime Ayashi no Ceres *doy* was based.
And did you know that the story was pattern, well loosely, to Japan's famous legend "Tennyo no Hagoromo"? It is about a Tennyo (celestial maiden) who was stuck on earth because a young man stole her hagoromo (robe worn by a tennyo) while the group of Tennyo were bathing in a pond. Sounds familiar, isn't it? It’s very, very similar to the Swan Maiden legend in the Cordillera *I forgot the local term for it, sorry, but I think the title was The Maiden Who Lost Her Wings, and I think it was an Ibaloi tale*. The Tennyo was forced to live with the man who stole her robe, married the man, and they had babies. And like how the Cordi tale ended, the Tennyo finally found her Hagoromo and returned back to the skies.
The only difference was that the Tennyo vowed revenge to her husband. In the Ibaloi tale, she fell in love with the man, and promised to watch over her family from the stars.
So, what’s the deal with Amungan? Amungan is a yearly project of UP Baguio’s Indigenous People-based organization PAGTA, who made a theatrical production last 2007 which featured the Swan Maiden story arc. *shrugs* I just want to make a connection between my new now-reading-manga and the Amungan to which I was actively participating during my college years. And also, this is in line with the current situation of the Program for Indigenous Culture nearing its, uh, life line? *Haha… but seriously, this isn’t a funny matter…*
Anyway, my point, exactly? That our culture, again, is closely knit with other cultures around the world. And, it’s the end of the month, and I’d just like to post a new blog entry.
Blogger’s Note: Again, Kelangan talagang may political view, noh?
Published to Blogblogan Tayo!
Labels: Amungan, ayashi no ceres, Cordillera culture, Japanese culture, legends, manga, PAGTA, parallelism of culture, plays, theatre, UPBaguio